NORAH JONES Come Away CLASSIC RECORDS 200 Gram Sealed RARE 45 SPEED 4 LP BOX SET

NORAH JONES Come Away CLASSIC RECORDS 200 Gram Sealed RARE 45 SPEED 4 LP BOX SET

NORAH JONES Come Away CLASSIC RECORDS 200 Gram Sealed RARE 45 SPEED 4 LP BOX SET
NORAH JONES COME AWAY WITH ME - CLASSIC RECORDS BOX SET - OUT OF PRINT - DON'T MISS OUT - THE AUDIOPHILE 1ST EDITION EVER IN THIS 45 SPEED BOX SET THAT INCLUDES FOUR 12 ONE SIDED PIECES OF VINYL. THE NOW RARE 45 SPEED FOUR LP BOX SET OF THE SAME TITLE.

THIS TITLE HAS GONE IMMEDIATELY OUT OF PRINT. CLASSIC RECORDS TITLES ARE NOW OUT OF PRINT FOREVER. Classic Records' newest formulation: CLARITY SV-P II CLEAR VINYL! The genesis of the new formula came as a result of a visit to High End Audio's self proclaimed Vinyl Guru Michael Fremer's Analog Laboratory. Fremer demonstrated a Furutech LP demagnetizer.

After using the demagnetizer, vocals had so much more texture, bass definition and clarity of every nuance of the recording was vastly improved and there was more low level information than we had ever heard in the recording. Why did the demagnetizer had the sonic effects on a record? Very simply the carbon black that is ADDED to vinyl for LP manufacture contains trace metals that become randomly magnetized and interfere electrically with the cartridge hanging overhead during play. If carbon black and the trace metals contained therein caused playback distortion in the cartridge then why not take out the carbon black altogether?

Classic Records Clarity SV-P II Clear Vinyl is the answer! Clarity Vinyl represents the ultimate in vinyl formulations because it is comprised of over 90% percentage of the highest quality co-polymer available - a key component in vinyl pellets used for manufacturing vinyl records.

Further, Clarity Vinyl has no carbon black additive, common in vinyl formulas for LP's. Carbon Black contains trace metals that become magnetized and cause "electrical distortions" in cartridges during playback that smears the sound.

By taking out the Carbon Black, Classic Records is able to dramatically reduce the "electrical distortions" and thus bring more "Clarity" to the playback process, providing a more realistic musical experience to the listener and LP enthusiast. 45 rpm records have long been recognized as providing a higher fidelity musical experience resulting purely from the cartridge being able to extract more of the nuance from the complex vertical and horizontal groove modulations in stereo LP's. Further, Classic Records 45 rpm "single sided" pressings dramatically reduce the mechanical resonances created by the cartridge during playback by allowing these resonances to be more fully transmitted to and absorbed by the turntable platter.

Classic Records Clarity Vinyl 45 rpm pressings are designed and manufactured to provide the "LOWEST DISTORTION" in every aspect of LP playback resulting in putting the listener as close to the music as possible. & TYPE IN 200G OR NORAH INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE FOR ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR.

200 Gram Heavy Vinyl LP by Classic Records has been critically acclaimed as the finest and quietest ever produced. It is a new listening experience that will virtually make you feel as if you were in the studio. For hundreds of additional Rare, Out of Print, Factory-Sealed Audiophile Recordings, visit mymusicfix E-Bay Store by hitting the STORES TAB on this titles Home Page. Genre-busting artists often disappoint stylistically because they end up diluting the power of their influences while failing to create a fusion as substantial as any of the components. Even if artistically successful, their debut albums often suffer disappointing sales due to marketing and promotional placement vagaries.

Tossing music into a pre-fabricated slot is one thing: creating a new one is another. In the case of stylistically ambiguous NORAH JONES, it has all come together brilliantly. This, her debut album, quickly attracted a strong following when it was issued early last year on Blue Note (though it is not a jazz album), and it appears to be building a growing fan base as diverse as Jones' musical influences.

If all of this is old news, sorry. The occasion for this review is Classic's recent 200g SV-CLARITY vinyl issue. For cynics in the music business who dismiss the value or commercial viability of careful A&R work (finding and compiling good tunes), of smart, spare production and "high fidelity" engineering, and of simply presenting an artist honestly, the continued success and extended shelf-life of Come Away With Me should be a shock to the system (though you could say Diana Krall's discography has already shocked that system). While Come Away With Me explores new musical territory, it is built upon the aforementioned old-fashioned 1950's record biz ingredients.

Key to the album's distinctive country-jazz feel is Jones' Floyd Cramer-ish piano chordings propelled by Lee Alexander's syncopated double-bass beat. Adam Levy's electric guitar lines on the title track ring more of country twang than jazz virtuosity, but the references, as with everything on this disc, are understated. You get the sense that one of Jones' first recorded encounters with the piano was Floyd Cramer's "bent-note" laden Last Date.

The Cramer influence makes even more sense considering the late pianist's eclectic musical background: he played with Elvis, Perry Como, Roy Orbison and jazz/country guitarist Hank Garland. But then, I'm just speculating. Despite the star's piano, guitars dominate most of the arrangements, helping to add another layer of musical complexity Jones' breathy, feline vocals reference neither a Patricia Barber-style hipster nor an early k.

Lang cowboy; the lilting roll to her "L"s and a number of other subtle affectations suggest black vocal influences or maybe that's her racial heritage speaking. From the cover photo even that's ambiguous. Out of desperation to slot her somewhere, she's been compared to Billie Holiday, perhaps because of her pitch and timbre. Whatever the crafty complex components of the musical mix, when Jones suggests "Come Away With Me, " on the title track, you definitely want to go. Songwriting chores are shared by Jones, bassist Alexander and guitarist Jesse Harris (who recently cut his own solo recording deal) and there are Hank Williams ("Cold, Cold Heart"), and John D.

Loudermilk ("Turn me on") covers. Accenting the unpredictable, the set ends with Jones soloing on the Hoagy Carmichael standard The Nearness of You. Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay. OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE. International Buyers are responsible for their countrys.

The item "NORAH JONES Come Away CLASSIC RECORDS 200 Gram Sealed RARE 45 SPEED 4 LP BOX SET" is in sale since Thursday, August 24, 2017. This item is in the category "Music\Records". The seller is "mymusicfix2" and is located in Lake Forest, California. This item can be shipped worldwide.


NORAH JONES Come Away CLASSIC RECORDS 200 Gram Sealed RARE 45 SPEED 4 LP BOX SET


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